Guillermo del Toro's Pinocchio (2022)
117 min|Animation, Adventure, Drama|09 Dec 2022
7.6Rating: 7.6 / 10 from 140,088 usersMetascore: 79
A father's wish magically brings a wooden boy to life in Italy, giving him a chance to care for the child.

Just a few months ago, Disney+ released the live-action version of Pinocchio, and now seasoned filmmaker Guillermo del Toro has crafted his stop-motion animated rendition with a story we’ve never seen before. Del Toro wrote, directed, and produced this film, featuring renowned actors as voice talents, including Ewan McGregor, Tilda Swinton, David Bradley, Ron Pearlman, Christopher Gantz, John Turturro, Cate Blanchett, and Gregory Mann. Pinocchio premiered on Netflix last week and has garnered high praise from critics, earning a nomination for the 2023 Golden Globe in the Best Animated Film category. How special is Del Toro’s take on this classic tale?

“Yes, you bring me joy, a terrible joy.”

The main plot still follows the original fairy tale but introduces additional storylines and different settings. Del Toro places Pinocchio’s story in World War II, during the peak of Mussolini’s regime (fascism). All story motifs intersect with the nuances of war and fascism, uniquely tied to the spirit realm and life after death. Del Toro added these elements not only to darken the story but to provide more depth. This version is no longer intended solely for children, as is typical of fairy tales.

Baca Juga  Sisu: Road to Revenge | REVIEW

Fans familiar with Del Toro’s work know he never creates ordinary characters. Everything contrasts with the Disney version, which is cheerful and optimistic. He presents the opposite side, even portraying some characters in a scary, horror movie style. Jiminy Cricket, portrayed as cute by Disney, now appears as a frightening monster. Everything is dark and gloomy, including the figures of Pinocchio and the fairy, and the sea monster (the whale in the original story) is described as terrifying. All of this aligns with the alternative narrative offered by the filmmaker.

Del Toro’s Pinocchio transforms the classic story into a life lesson filled with bitterness and meaning, bearing his signature visual stamp. Although the initial viewing might feel awkward due to the story’s pessimism and gloom, the plot begins to reveal its power over time. This film not only delves into fascism, war horror, and greed but also explores profound themes of life, sacrifice, and genuine love. Pinocchio undergoes more bitter experiences than others, surpassing even Geppetto or any other character in this story. While I personally prefer the visuals of Pan’s Labyrinth and The Shape of Water, this film stands out for the depth of its script, marking a significant achievement for the filmmaker.

1
2
PENILAIAN KAMI
Overall
80 %
Artikel SebelumnyaRomantic Killer
Artikel BerikutnyaAvatar: The Way of Water
A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). A lifelong cinephile, he developed a profound passion for film from an early age. After completing his studies in architecture, he embarked on an independent journey exploring film theory and history. His enthusiasm for cinema took tangible form in 2006 when he began writing articles and film reviews. This extensive experience eventually led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched students’ understanding through courses such as Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended well beyond the classroom. In 2008, he published his seminal work, Understanding Film, an in-depth examination of the essential elements of cinema, both narrative and visual. The book’s enduring significance is reflected in its second edition, released in 2018, which has since become a cornerstone reference for film and communication scholars across Indonesia. His contributions to the field also encompass collaborative and editorial efforts. He participated in the compilation of Montase Film Bulletin Compilation Book Volumes 1–3 and 30 Best-Selling Indonesian Films 2012–2018. Further establishing his authority, he authored Horror Film Book: From Caligari to Hereditary (2023) and Indonesian Horror Film: Rising from the Grave (2023). His passion for cinema remains as vibrant as ever. He continues to offer insightful critiques of contemporary films on montasefilm.com while actively engaging in film production with the Montase Film Community. His short films have received critical acclaim at numerous festivals, both nationally and internationally. In recognition of his outstanding contribution to film criticism, his writing was shortlisted for years in a row for Best Film Criticism at the 2021-2024 Indonesian Film Festival. His dedication to the discipline endures, as he currently serves as a practitioner-lecturer in Film Criticism and Film Theory at the Indonesian Institute of the Arts Yogyakarta, under the Independent Practitioner Program from 2022-2024.

BERIKAN TANGGAPANMU

Silahkan berikan tanggapan anda
Silahkan masukan nama anda disini

Situs ini menggunakan Akismet untuk mengurangi spam. Pelajari bagaimana data komentar Anda diproses