Tigertail (2020)
91 min|Drama|10 Apr 2020
6.6Rating: 6.6 / 10 from 3,806 usersMetascore: 65
In this multigenerational drama, a Taiwanese factory worker leaves his homeland to seek opportunity in America, where he struggles to find connection while balancing family and new-found responsibilities.

Tigertail is a drama directed by Alan Yang, which is his feature film debut after a successful television career. This Netflix production film stars several Asian American players, such as Tzi Ma, Christine Ko, and Joan Chen. Films that revolve around immigrants from Asia who live in the US are relatively rare. Tigertail presents it through a simple and touching story.

Taiwan. Pin-jui is having an affair with his childhood girlfriend Yuan. However, Pin-jui’s dream is to bring his mother and Yuan to America. His ambition to bring Pin-jui eventually married Zhenzhen, the daughter of the boss of the factory owner where he worked and sacrificed his true love. After moving to the United States, the ups and downs of life flowed until he grew older who is now lamenting the emptiness of his life.

Its simple story is uniquely interspersed with flashbacks from time to time. At certain moments the flow seems to be presented as “nonlinear”. Although moving to the present and the past, the audience still easily understands the timeline of the story. The present and the past complement each other harmoniously to provide story information to the audience. The editing side has indeed become its strength that supports the script. A unique montage is presented when Pin-jui closes and opens his shop to show his monotonous daily life in the US.

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It seems, its cinematography has no special features because many of its shots are static and rigid. However, behind this is stored many motives in his shot. Old pin-jui often depicted his figure who was alone with reinforced interior setting frames as if he was confined in a closed room. At the beginning to the end, Pin-jui when with the princess, there is almost no shot they are in one frame, if anything, their distance is always far apart (or blur effect). In the final segment, Pin-jui and Angela’s shots are surprisingly almost entirely in a single frame that is close together. This film can be a textbook for learning a visual language.

With a simple and elegant aesthetic style, Tigertail presents a touching drama about family and dreams. Not until the end, we only know that Huwei, the city where Pin-Jui and his mother live means “Tigertail”. No matter how successful a person lives in a foreign country, still, his hometown is an inner experience that cannot be released. “Tigertail” for Pin-jui is a life lesson to appreciate something of value for us not to let go of it simply because of passion and ambition. Tigertail also provides lessons for us, and there is always time to correct the mistakes of life, as long as we can open our souls and hearts. Enjoy watching.

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Hobinya menonton film sejak kecil dan mendalami teori dan sejarah film secara otodidak setelah lulus dari studi arsitektur. Ia mulai menulis artikel dan mengulas film sejak tahun 2006. Karena pengalamannya, penulis ditarik menjadi staf pengajar di Akademi Televisi dan Film swasta di Yogyakarta untuk mengajar Sejarah Film, Pengantar Seni Film, dan Teori Film sejak tahun 2003 hingga tahun 2019. Buku film debutnya adalah Memahami Film (2008) yang memilah seni film sebagai naratif dan sinematik. Buku edisi kedua Memahami Film terbit pada tahun 2018. Buku ini menjadi referensi favorit bagi para akademisi film dan komunikasi di seluruh Indonesia. Ia juga terlibat dalam penulisan Buku Kompilasi Buletin Film Montase Vol. 1-3 serta 30 Film Indonesia Terlaris 2012-2018. Ia juga menulis Buku Film Horor: Dari Caligari ke Hereditary (2023) serta Film Horor Indonesia: Bangkit Dari Kubur (2023). Hingga kini, ia masih menulis ulasan film-film terbaru di montasefilm.com dan terlibat dalam semua produksi film di Komunitas Film Montase. Film- film pendek arahannya banyak mendapat apresiasi tinggi di banyak festival, baik lokal maupun internasional. Baru lalu, tulisannya masuk dalam shortlist (15 besar) Kritik Film Terbaik dalam Festival Film Indonesia 2022. Sejak tahun 2022 hingga kini, ia juga menjadi pengajar praktisi untuk Mata Kuliah Kritik Film dan Teori Film di Institut Seni Indonesia Yogyakarta dalam Program Praktisi Mandiri.


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