Tigertail (2020)
91 min|Drama|10 Apr 2020
6.6Rating: 6.6 / 10 from 3,934 usersMetascore: 65
In this multigenerational drama, a Taiwanese factory worker leaves his homeland to seek opportunity in America, where he struggles to find connection while balancing family and new-found responsibilities.

Tigertail is a drama directed by Alan Yang, which is his feature film debut after a successful television career. This Netflix production film stars several Asian American players, such as Tzi Ma, Christine Ko, and Joan Chen. Films that revolve around immigrants from Asia who live in the US are relatively rare. Tigertail presents it through a simple and touching story.

Taiwan. Pin-jui is having an affair with his childhood girlfriend Yuan. However, Pin-jui’s dream is to bring his mother and Yuan to America. His ambition to bring Pin-jui eventually married Zhenzhen, the daughter of the boss of the factory owner where he worked and sacrificed his true love. After moving to the United States, the ups and downs of life flowed until he grew older who is now lamenting the emptiness of his life.

Its simple story is uniquely interspersed with flashbacks from time to time. At certain moments the flow seems to be presented as “nonlinear”. Although moving to the present and the past, the audience still easily understands the timeline of the story. The present and the past complement each other harmoniously to provide story information to the audience. The editing side has indeed become its strength that supports the script. A unique montage is presented when Pin-jui closes and opens his shop to show his monotonous daily life in the US.

Baca Juga  Sang Pemimpi - English

It seems, its cinematography has no special features because many of its shots are static and rigid. However, behind this is stored many motives in his shot. Old pin-jui often depicted his figure who was alone with reinforced interior setting frames as if he was confined in a closed room. At the beginning to the end, Pin-jui when with the princess, there is almost no shot they are in one frame, if anything, their distance is always far apart (or blur effect). In the final segment, Pin-jui and Angela’s shots are surprisingly almost entirely in a single frame that is close together. This film can be a textbook for learning a visual language.

With a simple and elegant aesthetic style, Tigertail presents a touching drama about family and dreams. Not until the end, we only know that Huwei, the city where Pin-Jui and his mother live means “Tigertail”. No matter how successful a person lives in a foreign country, still, his hometown is an inner experience that cannot be released. “Tigertail” for Pin-jui is a life lesson to appreciate something of value for us not to let go of it simply because of passion and ambition. Tigertail also provides lessons for us, and there is always time to correct the mistakes of life, as long as we can open our souls and hearts. Enjoy watching.

Stay Safe and Healthy!

PENILAIAN KAMI
Overall
80 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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