Fear Street: Part One - 1994 (2021)
107 min|Drama, Horror, Mystery|02 Jul 2021
6.2Rating: 6.2 / 10 from 99,366 usersMetascore: 67
A circle of teenage friends accidentally encounter the ancient evil responsible for a series of brutal murders that have plagued their town for over 300 years. Welcome to Shadyside.

Fear Street Part One: 1994 is the film that started the horror trilogy Fear Street, released in the next few weeks by the Netflix platform. Debutant filmmaker Leigh Janiak directed this trilogy adapted from the novel series of the same title. This film is played by young stars, such as Kiana Madeira, Olivia Scott Welch, Benjamin Flores Jr., and Julia Rehwald. The filmmaker tried to revive the 1990s-style teen slasher, then how did it achieve it?

The series begins by taking place in 1994 in the small town of Shadyside. A series of mass murders occurred in a mall with the perpetrator, a high school teenager. This small town does have a dark history of mass murder that arose from time to time, which is believed to be the curse of a witch named Sarah Fier. Deena and her three friends, Sam, Kate, and Simon, are suddenly caught in this situation, with the killer lurking for their lives. With Deena’s brother, Josh, who is obsessed and has complete information about the murder case in Shadyside, they try to uncover the truth and try to remove this curse.

For connoisseurs of slashers in the 1990s, you must be familiar with the Scream series, I Know What You Did Last Summer and dozens of other popular films. The film’s opens with a typical “teen slasher” scene, a young girl being chased by a masked killer. In general, there is nothing new in the plot other than combining several iconic slasher film elements into one film, namely Scream, Halloween, Friday the 13th, The Craft, and maybe others. I certainly appreciate all these tributes plus the outstanding choice of settings, but what can’t be understood is the silliness and neglect of logic in the film’s plot.

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One thing is that the characters are too calm in dealing with this critical issue and think it’s just a game. After such brutal incidents in malls and hospitals, how could the authorities act this calmly? Crazy! In Scream, for example, once a murder occurs, one campus is locked down! The focus of the storytelling on teenagers is understandable, but the situation is too ridiculous and unreasonable. The person who was killed was not just one, but dozens of people! Our protagonists are also not precisely intelligent; they all seem ridiculous by assuming this and that, about something they don’t understand. Not only cops and silly teenagers, but also the slaves of the wizard with “T-1000” style (read: can’t die). What’s so tricky about killing their prey and having cats and dogs to entertain us. The mystery and suspense side is too weak; why? This is because the script is too far from common logic.

Fear Street Part One: 1994 brings tribute & nostalgia sensation with the horror setting of the 1990s era but has script achievements, characters, dialogues, and logic that are too stupid for its genre. I find it a little ridiculous that the script incorporates LGBTQ plus interracial elements in the film forcefully. Was this (message) intentional? They are all hunted and toyed with by the antagonist, a witch murdered more than 300 years ago for being considered a deviant sect. Now, who is wrong and who is right? Maybe the answer is in the sequel, which will be released next week.

https://www.youtube.com/watch?v=clZK2PqLWpI

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PENILAIAN KAMI
Overall
55 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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