Palmer (2021)
110 min|Drama|29 Jan 2021
7.3Rating: 7.3 / 10 from 49,506 usersMetascore: 53
An ex-convict strikes up a friendship with a boy from a troubled home.

Palmer is a Fisher Stevens directed drama film distributed by Apple TV +. This USD, 6.7 million budget film, stars Justin Timberlake, Ryder Allen, Alisha Wainwright, June Squibb, and Juno Temple. A former convict who tries to return to his hometown and make peace with himself is not a new theme for his genre. Palmer tries to bring it up with additional sensitive topics.

Palmer (Timberlake) has completed 12 years in prison due to his past mistakes. Returning to his hometown, he was faced with the townspeople who now find it difficult to accept him. Even though she ended up finding a job as a cleaner at school. At the same time, he lives with his grandmother and Sam (Allen), the little boy next door who is often neglected by his mother. Sam has a strange habit of liking things that girls like, such as playing with dolls, putting on makeup, dancing Cheerleader, to dressing up as girls. Palmer and Sam are finally forced into a situation to have a strange relationship, like a father and son.

Indeed, the story between “father and son” is commonly seen in films, from big stars like Arnold Schwarzenegger, Bruce Willis, Jason Statham, to The Rock. The figure played by Timberlake is not far from this type. Two highly contrasting figures collide in an unusual situation, the result is, of course, the unique chemistry between the two.

The plot direction, which is not difficult to anticipate, is inevitable. It’s just that the LGBTQ issue in it, especially the boy’s behaviour, is something fresh here. The intolerance nuance is strong in the plot, and Palmer is the perfect character to balance it. This is supported by the strong performances of Timberlake (Palmer) and Allen (Sam). Timberlake, who has matured in acting, can play straightforwardly as a calm Palmer even though his heart continues to flare up. It is Ryder Allen who plays superior as a boy who has unusual habits. The figure of Sam, who is smart and innocent, can be portrayed flexibly by this little star. The chemistry of these two characters is what can captivate and touch us throughout the film.

Through the chemistry and performances of his two main casters, Justin Timberlake and especially the little boy, Ryder Allen, Palmer presented something out of the ordinary from the familiar plot for his genre. This film also depicts domestic violence, the impact of which is mental for the child. Does this film want to portray this background or carry the theme of freedom? Even though the human side has an absolute answer.

Stay safe and healthy!

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PENILAIAN KAMI
Overall
75 %
Artikel SebelumnyaBoss Level
Artikel BerikutnyaBelow Zero
A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). A lifelong cinephile, he developed a profound passion for film from an early age. After completing his studies in architecture, he embarked on an independent journey exploring film theory and history. His enthusiasm for cinema took tangible form in 2006 when he began writing articles and film reviews. This extensive experience eventually led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched students’ understanding through courses such as Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended well beyond the classroom. In 2008, he published his seminal work, Understanding Film, an in-depth examination of the essential elements of cinema, both narrative and visual. The book’s enduring significance is reflected in its second edition, released in 2018, which has since become a cornerstone reference for film and communication scholars across Indonesia. His contributions to the field also encompass collaborative and editorial efforts. He participated in the compilation of Montase Film Bulletin Compilation Book Volumes 1–3 and 30 Best-Selling Indonesian Films 2012–2018. Further establishing his authority, he authored Horror Film Book: From Caligari to Hereditary (2023) and Indonesian Horror Film: Rising from the Grave (2023). His passion for cinema remains as vibrant as ever. He continues to offer insightful critiques of contemporary films on montasefilm.com while actively engaging in film production with the Montase Film Community. His short films have received critical acclaim at numerous festivals, both nationally and internationally. In recognition of his outstanding contribution to film criticism, his writing was shortlisted for years in a row for Best Film Criticism at the 2021-2024 Indonesian Film Festival. His dedication to the discipline endures, as he currently serves as a practitioner-lecturer in Film Criticism and Film Theory at the Indonesian Institute of the Arts Yogyakarta, under the Independent Practitioner Program from 2022-2024.

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