For the first time, the Marvel Cinematic Universe (MCU) has created a short 3D animated series that depicts Baby Groot. Although I Am Groot doesn’t have a big narrative within its universe, the plot setting occurs between the events of Guardian of the Galaxy (2014) and Guardian of the Galaxy Vol.2 (2017). This Disney+ short series is directed by Kirsten Lapore, with Marvel Studios collaborating with visual effects studio Luma Pictures. The producer, Kevin Feige, is still sitting as one of the producers, including James Gunn, the filmmaker of the Guardian of the Galaxy series.

Not many plot lines are told in this short series, with an average duration of 3-4 minutes. All of the series contains the protagonist’s behavior in one small adventure between the major events in the plots of the two films above. In each series, Baby Groot has his own “antagonist,” who is just a small plot insert that doesn’t mean anything. As in the first episode, it presents the baby’s rivalry with the mini bonsai tree that adorns his room. Then how the fun of soaking in the mud disturbs the sleep of a bird. All are just small pieces that show a very impressive visual achievement. Not more than this.

A series of short comedic adventures by the character of Groot, I Am Groot is simply a series of visually stunning performances. I don’t know the MCU’s strategy, including this short series as part of the fourth phase. Whatever it is, Marvel Studios has innumerable resources (budgets) right now to do whatever they want. Whether this is a fad or a warm-up to make a bigger animated film series, we’ll have to wait. According to the news, five more episodes are in the works; hopefully, they will be a little longer with a more complex narrative.

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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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