For those who were impressed by the action thriller film Baby Driver, a filmmaker from South Korea is trying to raise a similar theme through Special Delivery (Teuksong). The result is not bad at all. Park Dae-min directs this South Korean action thriller film with young stars such as Park So-dam and Jung Hyeon-jun, who we know through the Oscar-winning film, Parasite, then Song Sae-byeok, and Kim Eui-sung. Special Delivery, released earlier this year, is currently the fourth highest-grossing film in South Korea.

Eun-ha (So-dam) is a reliable female driver who sends goods or people from one location to another. She never once failed to do her job. As usual, she got an assignment to pick up a client and drop at one location one day. Unexpectedly, everything changes when the client turns out a boy (Hyeon-jun) who a group of gangsters is chasing him. The boy is carrying a safe key containing millions of dollars, and the chase begins.

The opening segment is so entertaining that it will surely impress the audience—not inferior to Hollywood films. Korean films are now on par with Hollywood films for the technical side. Unfortunately, such a promising premise is not strong enough to maintain the tension to the climax. One or two moments seem to waste time and make the plot predictable. The subplot inserts that contain the issue of corrupt police, the action of “defects” (North Korea), to the chemistry between Eun-ha and Seo-Won become an interesting gimmick. The ending was also very satisfying for the audience.

Special Delivery is the Korean version of “Baby Driver” with some impressive action moments and a thriller side. His technical achievements from all sides, be it camera, editing, music, are very well established. So far, this film has one of the best car chase scenes outside of Hollywood films. With an even more solid story, it feels like it’s just a matter of time before South Korean mainstream cinema aligns with Hollywood.

Baca Juga  Ugetsu, “This is not just entertainment, these kinds of stories are real" – Brillante Mendoza

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PENILAIAN KAMI
Overall
70 %
Artikel SebelumnyaGaris Waktu
Artikel BerikutnyaLooop Lapeta
A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). A lifelong cinephile, he developed a profound passion for film from an early age. After completing his studies in architecture, he embarked on an independent journey exploring film theory and history. His enthusiasm for cinema took tangible form in 2006 when he began writing articles and film reviews. This extensive experience eventually led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched students’ understanding through courses such as Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended well beyond the classroom. In 2008, he published his seminal work, Understanding Film, an in-depth examination of the essential elements of cinema, both narrative and visual. The book’s enduring significance is reflected in its second edition, released in 2018, which has since become a cornerstone reference for film and communication scholars across Indonesia. His contributions to the field also encompass collaborative and editorial efforts. He participated in the compilation of Montase Film Bulletin Compilation Book Volumes 1–3 and 30 Best-Selling Indonesian Films 2012–2018. Further establishing his authority, he authored Horror Film Book: From Caligari to Hereditary (2023) and Indonesian Horror Film: Rising from the Grave (2023). His passion for cinema remains as vibrant as ever. He continues to offer insightful critiques of contemporary films on montasefilm.com while actively engaging in film production with the Montase Film Community. His short films have received critical acclaim at numerous festivals, both nationally and internationally. In recognition of his outstanding contribution to film criticism, his writing was shortlisted for years in a row for Best Film Criticism at the 2021-2024 Indonesian Film Festival. His dedication to the discipline endures, as he currently serves as a practitioner-lecturer in Film Criticism and Film Theory at the Indonesian Institute of the Arts Yogyakarta, under the Independent Practitioner Program from 2022-2024.

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