“The Menu” is a unique thriller directed by British filmmaker Mark Mylod, featuring renowned actors such as Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, and John Leguizamo. With a budget of approximately USD 30-35 million, this 106-minute film explores the intriguing combination of thriller and culinary genres.
Margot (Joy) is invited by her boyfriend, Tyler (Hoult), to an exclusive restaurant on a remote island called Hawthorne. The restaurant is owned by the legendary chef Julian Slowik (Fiennes). The guests include top film star George Diaz (Leguizamo) with his assistant, a wealthy businessman and his wife, a magazine editor and food critic, and three young executives. As the guests enjoy their meal, they gradually realize that something is amiss with the chef and his assistants, putting their safety at risk.
The premise of the film generates curiosity as Margot, an uninvited guest, becomes the eyes and mind representing the audience. While some details about the chef’s background are revealed, many questions remain unanswered. It becomes evident that the chef’s actions are driven by a past offense, turning the film into a suspenseful exploration of revenge.
Despite the confusing mystery, the cast delivers compelling performances, enhancing the dramatic intensity. Fiennes, in particular, excels in portraying the chef. The film, with its culinary world packaging, offers a fresh combination of mystery and suspense. Beyond its enigmatic plot, “The Menu” serves as a satirical take on the extravagant world of luxury dining. Despite its absurdities, the film presents a tasteful humor that playfully mocks the culinary elitism.
In the end, while “The Menu” may not unravel the mysteries of the universe, it provides satisfaction through its fresh approach and humor. It reminds viewers that, ultimately, a meal is a simple remedy for hunger, and even the most basic form, like a cheeseburger, can fulfill that need without requiring thousands of dollars. Perhaps, this realization is what Margot grasps, adding an extra layer of depth to the film.
