Titanic (1997)
194 min|Drama, Romance|19 Dec 1997
7.9Rating: 7.9 / 10 from 1,303,897 usersMetascore: 75
A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.

Entah kita sudah berapa kali menonton filmnya. Kisah cinta Rose dan Jack yang abadi sudah bukan isu lagi sewaktu menonton film versi 3D-nya ini. Konon Cameron mempersiapkan waktu cukup lama, sekitar 60 minggu dengan bea produksi transisi sekitar $18 juta. Cameron merestorasi  film ini menjadi menggunakan resolusi 4K yang mampu menghasilkan gambar berkualitas sangat baik.

Versi 3D-nya boleh dibilang sangat baik dan diatas rata-rata film-film 3D live action kebanyakan.  Walau resolusi 4K yang menjadi andalan tidak setajam dan sejernih yang dibayangkan namun tone gambarnya mampu menyatukan rekayasa digital dengan gambar live-nya. Hal ini tampak jelas pada adegan ketika Titanic mulai berlayar ke laut lepas. Foreground dan background pada hampir semua adegan disajikan cukup menawan walau kadang pada momen intim tertentu justru “menjauhkan” jarak antara dua karakter. Gambar foreground yang sengaja dibuat kabur kadang-kadang agak menggangu lalu jika pergerakan cepat (tracking shot) gambar menjadi tidak fokus dan sangat tidak nyaman dimata. Entah ini kesalahan teknis pihak eksibitor atau memang aslinya seperti ini.

Secara umum versi 3D Titanic sangat baik terutama pada separuh akhir kisahnya hingga klimaks filmnya. Penonton generasi sekarang yang belum pernah sama sekali melihat film ini bisa jadi  lebih menikmati filmnya. Bagi yang sudah pernah menonton filmnya berulang kali ibarat menikmati hidangan menu yang lezat sewaktu kita tidak lapar. Hanya mata kita yang menikmati namun tidak hati kita lagi.

Baca Juga  Transformers: Revenge of the Fallen

PENILAIAN KAMI
Overall
80 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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