Babylon A.D. (2008)

90 min|Action, Adventure, Sci-Fi|29 Aug 2008
5.5Rating: 5.5 / 10 from 99,156 usersMetascore: 26
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.

Satu lagi film aksi fiksi-ilmiah bertajuk, Babylon AD dirilis di penghujung musim panas tahun ini. Film ini diarahkan oleh sineas asal Perancis, Mathieu Kassovitz yang merupakan film produksi Amerika keduanya setelah film drama supernatural, Gothika (2003). Babylon AD dibintangi nama-nama besar seperti Vin Diesel, Michele Yeoh, Gérard Depardieu, serta aktris muda Mélanie Thierry.

Alkisah di masa mendatang tidak jauh dari sekarang, kondisi dunia semakin memburuk akibat aksi terorisme, pemanasan global, hingga masalah kemiskinan. Di sebuah wilayah Rusia, seorang tentara bayaran asal AS, Toorop (Diesel) suatu ketika mendapatkan tawaran pekerjaan menggiurkan dari seorang gangster Rusia bernama Gorsky (Depardieu). Tugas Toorop sederhana, yakni mengantarkan seorang gadis muda bernama Aurora (Thierry) ke kota New York, Amerika dengan selamat. Turut menyertai mereka adalah Suster Rebeka (Yeoh) yang telah mengasuh sang gadis sejak bayi. Tugas Toorop ternyata tidak mudah karena suatu komplotan asing berniat menculik sang gadis. Aurora ternyata menyimpan sebuah rahasia besar yang kelak dapat menyelamatkan dunia.

Faktor yang sepertinya diharapkan menjadi daya tarik utama film ini, yakni adegan-adegan aksinya juga disajikan kurang menggigit. Penggunaan aktor dan aktris laga sekelas Diesel serta Yeoh ternyata tidak cukup banyak membantu adegan aksinya. Adegan aksi tembak-menembak, perkelahian, hingga kejar-mengejar sama sekali tidak ada yang istimewa. Satu-satunya adegan aksi yang terbilang lumayan hanyalah aksi kejar-mengejar antara skuter salju dan dua buah pesawat tempur. Namun satu pencapaian menarik di film ini adalah setting-nya yang sangat meyakinkan. Sineas dengan sempurna mampu menampilkan suasana yang kontras antara kondisi di wilayah Rusia yang kumuh dan gelap dengan suasana kota New York yang modern. Sangat disayangkan pencapaian setting yang sedemikian baik tidak didukung alur cerita yang memadai. Overall… It’s just bad and getting worst everytime…

PENILAIAN KAMI
Overall
20 %
Artikel SebelumnyaIndependensi dan Sinergi Elemen
Artikel BerikutnyaQuickie Express, Sebuah Komedi Tanggung
A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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