No one might have guessed that a crime-action thriller like Den of Thieves (2018) would get a sequel. Despite its solid commercial success (grossing $80 million globally from a $30 million budget) and decent quality, it wasn’t exactly a film screaming for a follow-up. Yet here we are with Den of Thieves 2: Pantera, still directed and written by Christian Gudegast, and bringing back its lead stars, Gerard Butler and O’Shea Jackson.

The story picks up some time after the events of the first film. After discovering that Donnie Wilson (Jackson) was the mastermind behind the previous heist, Sheriff Nick (Butler) is still on his trail. A criminal act in Belgium catches Nick’s attention, prompting him to head to Europe. There, he discovers Donnie and his new crew planning to rob the world’s largest diamond vault. Far from his jurisdiction and completely on his own, Nick decides to take an unconventional approach: infiltrate Donnie’s team and join the heist.

Is the sequel hard to follow if you haven’t watched the first film? Not really. The original serves mostly as an introduction to the two main characters. If you skip it, you’ll miss out on some backstory about Nick and Donnie, as well as their respective skill sets, but it won’t hinder your understanding of the sequel.

The biggest issue with Pantera isn’t the characters, but its exhausting runtime (141 minutes). If you’ve seen the trailer, you probably already know the gist of the plot. The trailer is packed with action, showcasing typical heist movie thrills. But as with most trailers, it’s more of a marketing tool than an accurate reflection of the film. The action scenes in this sequel are sparse, limited to the opening sequence and the climactic finale. However, these two sequences are what truly elevate the film. While the finale delivers intense, chaotic thrills, the opening scene is elegantly executed, reminiscent of The Dark Knight’s iconic opening.

Baca Juga  Beyond Skyline

So what about the rest of the film? The bulk of the runtime is taken up by the usual heist tropes: recruitment, reconnaissance, planning, preparation, bonding among team members, and so on. These sections drag on for what feels like an eternity, dominated by slow pacing and dialogue-heavy scenes. For about two-thirds of the runtime (80–90 minutes), it’s hard to stay engaged, and your eyelids might start to feel heavy. Things take a dramatic turn for the better in the final act.

Den of Thieves 2: Pantera captures the same action-packed and tension-filled essence of its predecessor, particularly in the final third. However, its overly long runtime makes the journey feel exhausting. What sets this sequel apart is its exotic setting in the Canary Islands and the magnetic performances of Butler and Jackson. Their chemistry remains a key strength, and if this film succeeds, we’ll likely see them team up again in the next installment. Butler, in particular, has cemented himself as a reliable action star, consistently delivering in the genre for over a decade.

1
2
PENILAIAN KAMI
Overall
70 %
Artikel SebelumnyaZanna: Whisper of Volcano Isle
Artikel BerikutnyaDan Da Dan
A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

BERIKAN TANGGAPANMU

Silahkan berikan tanggapan anda
Silahkan masukan nama anda disini

Situs ini menggunakan Akismet untuk mengurangi spam. Pelajari bagaimana data komentar Anda diproses.