It is impossible for true film lovers not to know the legendary action filmmaker John Woo. Now, he is trying to return to Hollywood after a two-decade hiatus. His last recorded work was the science fiction action film Paycheck (2003), starring Ben Affleck. Now, he is directing and producing Silent Night, starring Joel Kinnaman, Scott Mescudi, Harold Torres, and Catalina Sandino Moreno. Does this action film still have the filmmaker’s golden touch after such a long absence?

On Christmas Day, Brian (Kinnaman) and his wife and son play in his front yard. Suddenly, two cars are involved in a shooting, and the bullets hit his son. Brian tries to chase, but he is shot, sacrificing his vocal cords. Severe trauma hits Brian until he finally decides to avenge his son’s death. Brian recovers physically and trains in self-defense and firearms to fight the biggest criminal kingpin in his city.

One unique thing noted is the minimal use of dialogue in this film. Even the protagonist never has any dialogue (in the flashback segments). Not long ago, the sci-fi horror film released on Disney+, No One Will Save You, also used a similar approach. It could be that John Woo is now well aware of his weak points, so he is emphasizing on the action. You don’t need much thinking; the plot moves quickly with the dominance of montage techniques. There are few investigative plots or other dramas; the plot summarizes it to the point, just action.

The actions are also quite good. The action of chasing cars on city streets is presented so brutally with an impressive combination of fierce shooting action. However, don’t expect to find absurd actions in the style of Chow Yun Fat, which became the filmmaker’s trademark in his golden era, such as somersaults and “flying” while shooting with his slow-motion technique. The action is now a little more grounded and no longer as frenetic as before, but the filmmaker’s touch is still visible here and there.

Baca Juga  Kate

Silent Night is John Woo’s comeback effort, which still presents crazy shooting action even though it is no longer as energetic as the films from his golden era. Hard Boiled, A Better Tomorrow, and The Killer are some of his best films that are difficult to compete with, even his Hollywood films (Hard Target, Face Off, Broken Arrow, Mission: Impossible 3). At least Silent Night is enough to relieve nostalgia for the filmmaker’s best works in the past. Regarding close-up action, no filmmaker can do it more absurdly than John Woo. If you don’t believe it, just watch the Hard Boiled trailer below.

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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). A lifelong cinephile, he developed a profound passion for film from an early age. After completing his studies in architecture, he embarked on an independent journey exploring film theory and history. His enthusiasm for cinema took tangible form in 2006 when he began writing articles and film reviews. This extensive experience eventually led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched students’ understanding through courses such as Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended well beyond the classroom. In 2008, he published his seminal work, Understanding Film, an in-depth examination of the essential elements of cinema, both narrative and visual. The book’s enduring significance is reflected in its second edition, released in 2018, which has since become a cornerstone reference for film and communication scholars across Indonesia. His contributions to the field also encompass collaborative and editorial efforts. He participated in the compilation of Montase Film Bulletin Compilation Book Volumes 1–3 and 30 Best-Selling Indonesian Films 2012–2018. Further establishing his authority, he authored Horror Film Book: From Caligari to Hereditary (2023) and Indonesian Horror Film: Rising from the Grave (2023). His passion for cinema remains as vibrant as ever. He continues to offer insightful critiques of contemporary films on montasefilm.com while actively engaging in film production with the Montase Film Community. His short films have received critical acclaim at numerous festivals, both nationally and internationally. In recognition of his outstanding contribution to film criticism, his writing was shortlisted for years in a row for Best Film Criticism at the 2021-2024 Indonesian Film Festival. His dedication to the discipline endures, as he currently serves as a practitioner-lecturer in Film Criticism and Film Theory at the Indonesian Institute of the Arts Yogyakarta, under the Independent Practitioner Program from 2022-2024.

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