Broadcast Signal Intrusion is a unique mystery horror film directed by Jacob Gentry. The film stars Harry Shum Jr., Chris Sullivan, Steve Pingle, and Kelly Mack. The 104-minute film was released earlier this year at a film festival ahead of its public release this month via video on demand. For the genre and medium, it feels like this film offers something new. However, some movies lead to similar investigations, for example, two classic masterpiece films, The Conversation and Blow-Up.

James (Shum) works at a television station in Chicago to transfer all the old video cassette broadcasts there to digital format. When James was transferring a video, he suddenly found a strange interruption to the broadcast that featured a masked person with no apparent intent. It turns out this case was previously investigated by the FBI, which was deadlocked. James then found one more video that made him obsessed with conducting a full investigation. After that, strange events began to occur around James, one of which was a mysterious figure who stalked him every time.

Built with a strong side of mystery, the film’s premise is undeniably fresh for the genre. The development of the plot is getting more and more disturbing the mystery side which makes the curiosity even more. The surreal side also enters the story, which is triggered by the protagonist’s past trauma. We also seem to be brought to something most secret behind all of this. Unfortunately, towards the end of the story, it feels anticlimactic. Between the absurd, James’ trauma, with one alleged big conspiracy, feels less connected. Some elements of the story still leave many big questions that cannot be answered.

Baca Juga  The Watchers

Built with a strong side of mystery through a unique premise, Broadcast Signal Intrusion has the potential to be one of the best investigative horror films before the surreal elements enter into its plot. In addition to the mystery side, the actor’s appearance as James is extraordinary and his chemistry with Alice. It’s a shame that all of this only appears as a patch, complementing the surreal element. It could be; this is all a metaphor for James’ inner conflict with his trauma. However, throughout the story, we don’t see the big deal for James, and we can only guess what happened to his girlfriend or wife. Did it have something to do with the broadcast interference he was investigating? Could be yes, could be no. Blow-Up is also surreal, but we know precisely the protagonist’s internal problems, so we know where the film is headed.

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PENILAIAN KAMI
Overall
70 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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