Morbius (2022)
104 min|Action, Adventure, Horror|01 Apr 2022
5.1Rating: 5.1 / 10 from 160,126 usersMetascore: 35
Biochemist Michael Morbius tries to cure himself of a rare blood disease, but he inadvertently infects himself with a form of vampirism instead.

Morbius is the third film in Sony’s Spider-Man Universe (SSU), which was started by Venom and then Venom: Let There Be Carnage. Swedish filmmaker Daniel Espinoza directed Morbius with stars including Jared Leto, Matt Smith, Adria Arjona, and Tyrese Gibson. This USD 75 million budget film, which was supposed to be released mid-last year (due to the pandemic), was finally released towards the summer of this year. With SSU trending well over the previous two films (at least commercially), is Morbius able to get past both in quality?

Since childhood, Michael Morbius (Leto) has suffered from a blood disorder that makes him have to have regular blood transfusions. His ambition to cure himself led him to become a famous doctor with financial support from his best friend, Matt (Smith), who also has the same disease. Through his experiments with blood-drinking bats, Morbius finally found a solution to his condition; however, the results were not what he expected. He became a monster who drinks blood with superpowers.

Watching Morbius is like watching some familiar superhero movies. There are elements of Batman, Blade, to Captain America in the story. The storyline doesn’t provide enough character background for the main character like Venom. The result is the tempo of the plot that moves so fast that you can immediately fill it with action sequences. Unfortunately, Morbius can be explored more deeply to strengthen his relationship with Matt and his lab partner, Martine Bancroft (Arjona). Even a big star, Tyrese Gibson, seemed to pass by. Half of the film is dominated by forced (and often illogical) actions with visual effects that are the same achievements as Venom and its sequels. No more, no less. If you like Venom, you will definitely like Morbius.

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Although slightly better than Venom, Morbius does not offer much new territory in the genre or Sony’s Spider-Man Universe but will provide additional color for developing its cinematic universe in the future. Fans may be satisfied with the surprises at the ending. We both know that the relationship between SSU and the Marvel Cinematic Universe (MCU) is now even closer after Spider-Man: No Way Home. If it turns out that Morbius is a commercial success, as the Venom series, it seems that it will further distance SSU from the MCU. The SSU story can run independently without the MCU with their ace Spider-Man that still belongs to Sony. I wouldn’t say I like this kind of studio tug-of-war, but I have to admit, this crossover will be a challenge for the makers to anticipate the many possibilities in the future. It’s interesting to see how one superhero can change the face of the film industry in the future. This was unprecedented in the history of the film medium.

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PENILAIAN KAMI
Overall
65 %
Artikel SebelumnyaMelihat Masa Depan Perfilman Bangsa di Kongres Besar BPI
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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