“Self Reliance” is a unique comedy film written, produced, and directed by actor Jake Johnson. Apart from Johnson, it also stars Anna Kendrick, Natalie Morales, Mary Holland, Emily Hampshire, and the aging actor Christopher Lloyd. The film, which debuted on the film festival circuit early last year, was recently released on streaming platforms. How unique is this comedy film?

Tommy (Johnson), who is lonely, finds himself trapped in his daily routine. When an offer to participate in a reality show with a $1 million prize comes his way, he doesn’t refuse. The condition is that he must survive for 30 days, during which killers will attempt to take his life. His family believes Tommy has lost his sanity and insists on accompanying him at all times. Faced with the threat, Tommy hires an old homeless man named James to assist him. Tommy’s days become inseparable from this old figure until a young woman, Maddy (Kendrick), also a participant, enters his life.

The story starts with an exciting premise, but don’t expect the film to be filled with brutal action. The plot doesn’t delve into the competition committee like “The Hunger Games”; instead, it focuses solely on Tommy. Throughout almost the entire duration, it remains unclear whether this reality show is real or just a joke. The story revolves around Tommy’s mental struggles, not the game itself.

Tommy is someone who always seeks his comfort zone, even causing his decades-long girlfriend to finally reach her limit. He struggles to move on, despite his family’s support. The reality show becomes a life lesson for Tommy, and whether it’s real or not, Maddy holds the answers. While the twists and turns are easy to anticipate, they make the plot feel flat and dull at times. If only the game posed a more imminent threat, the story might have taken a different turn. The comedic tone, however, diminishes the expected tension.

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“Self Reliance” presents a fresh premise and a unique comedic style, even though the plot is predictable. Johnson delivers a solid performance through well-crafted dialogue and a script he wrote himself. Kendrick portrays Maddy energetically, breathing life into the story. Unfortunately, her character is treated similarly to the reality show – not fully utilizing the potential of the premise and casting to create a more memorable narrative. The script feels personal, possibly inspired by the filmmaker’s own life story, exploring the themes of naivety versus an absurd world. Johnson could learn much about the theme of loneliness from Adam Samberg (who makes a cameo in the film) through the masterpiece in which he starred, “Palm Springs” (2020).

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PENILAIAN KAMI
Overall
65 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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