Seasoned actor, Nicholas Cage has been taking on unique roles in recent years, even playing himself. Now, the star is trying out a completely different role with a surprising physical appearance. Longlegs is a supernatural horror film directed and written by Osgood Perkins. The film stars Maika Monroe, Nicholas Cage, and Blair Underwood. It’s been a long time since the combination of the detective-horror genre has appeared on the market, does Longlegs have an interesting offer?

The film is set in the 1990s when Bill Clinton was still president. Agent Lee Harker (Monroe) is a young FBI agent with metaphysical abilities when she successfully completes a complex case. Her superior, Agent Carter (Underwood), assigns her a special mission to investigate a series of murders that have occurred to several families in recent years. At the crime scene, a letter is always found with a written foreign symbol with the initials Longlegs. The deeper Harker’s investigation, the more this case is related to an incident in her childhood when she was visited by a mysterious man (Cage).

From the opening, it’s clear that this film has a unique aesthetic approach. Each flashback scene, the film presents a 4:3 aspect ratio, like a tube television screen. The image tone is also old-fashioned (soft colors) with a Tarantino-style chapter concept. The shots also use a lot of long and wide shots, and rarely use close-ups. Like old-fashioned horror, this film uses music to support its “jump scares”. There are no modern jump scares that are surprising, but the horror feels suspenseful. Less is more scarier. Through its slow pace, this film provokes a sense of mystery through investigative actions and flashbacks of Harker’s past. Although honestly, for true film connoisseurs, it’s not difficult to anticipate the climactic ending.

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Longlegs is a unique horror that combines investigation and horror with the director’s exotic touch and Cage’s different appearance. Cage doesn’t just stand out for his different appearance. His figure always steals the show when he appears, like the figure of Pennywise in It. Monroe, who also starred in the quality horror film It Follows, is perfect as a traumatized figure who is always in a stressful situation. Although interesting, Longlegs is likely to be difficult for the general public to accept due to its slow pace and “disturbing” story. I’m also still curious about the choice of the time setting for the story. Is there a relationship with the figure (case) of Bill Clinton whose photo is occasionally framed? There is a father who is influenced by a devilish figure (a female doll) who eventually kills his own family… hmm.

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PENILAIAN KAMI
Overall
75 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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