Purple Hearts (2022)
122 min|Drama, Music, Romance|29 Jul 2022
6.7Rating: 6.7 / 10 from 59,199 usersMetascore: 30
In spite of their many differences, Cassie, a struggling singer-songwriter, and Luke, a troubled Marine, agree to marry solely for military benefits, but when tragedy strikes, the line between real and pretend begins to blur.

Fake marriage stories are rare in the film medium, like the Indonesian film Wedding Agreement, which was released a few years ago. Purple Hearts presents an interesting issue when a marine marries a girl based on health insurance and money, without the frills of love. Elizabeth Allen Rosenbaum directed Purple Heart with unfamiliar names, Sofia Carson and Nicolas Galitzine. We can watch this Netflix film since the beginning of last August. Is this interesting and sensitive premise able to be tackled well by the filmmaker?

Cassie (Carson) is a young musician with his group, The Loyal, who is desperately trying to make a living to save the life of someone diagnosed with diabetes. While Luke (Galitzine) is a young marine who will soon send into Iraq because he ran away from problems with his father and thousands of dollars in debt with a drug dealer. With an excuse and a precarious and urgent situation, Cassie and Luke finally pretend to be married to get health insurance and a small amount of money each month. As their relationship grew closer, love began to emerge.

For true film connoisseurs, it is not difficult to anticipate the story. Act after act is too easy to predict the scenario. This story might be more interesting if a top-caliber actor/actress played it. Why? Chemistry is the key to this film. These two cast members pretend they don’t love each other and then have to act (“pretend”) to love each other. The two main actors fail miserably in this regard. The expected chemistry never appears throughout the film, even with her song. Love is not shown only with the gaze but the heart. This one never appeared. From start to finish, there wasn’t a single spike in chemistry.

Baca Juga  Pig

Apart from strong social issues, due to the script and the main cast’s appearance, Purple Hearts cannot present enough chemistry to gain sympathy and empathy. The script is also a big weakness that cannot support the cast’s appearance. The plot is too cliché like tv’s a soap opera. At least this film gave us information about this kind of case among the military, which is certainly not small in number. It seems that this kind of case is not just like in Green Card (1991), which I don’t remember when the last time I watched it. This is a good reference if you intend to watch a similar story.

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PENILAIAN KAMI
Overall
50 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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