bullet train explosion

Bullet Train Explosion is a Japanese action-disaster thriller directed by acclaimed filmmaker Shinji Higuchi, known for hits like Attack on Titan, Shin Godzilla, and Shin Ultraman. Interestingly, this movie serves as a sequel to Bullet Train (1975), coming nearly fifty years after the original. The film stars Tsuyoshi Kusanagi, Kanata Hosoda, Rena Nonen, Takumi Saitoh, Machiko Ono, Jun Kaname, and Hana Toyoshima. Disaster movies set on trains are incredibly rare — so does Bullet Train Explosion bring something fresh to the table?

The story follows the Hayabusa 60 (5060B) high-speed train, which, like any other day, is carrying hundreds of passengers from Aomori to Tokyo, covering a distance of around 700 km in about three hours. Chief conductor Kazuya Takaichi (Kusanagi) is responsible for the journey. Soon after departure, the central control room (JR East) receives a chilling call from a terrorist threatening to blow up the train. To show he’s serious, he detonates a freight train at a station in Aomori. The terrorist demands a 100 billion yen ransom — and here’s the catch: if the train’s speed drops below 100 km/h, the bomb will go off. In other words, the train must keep moving, no stops allowed.

The premise mirrors the 1975 original almost exactly — except back then, the speed limit was 80 km/h. Before watching this, I had no idea the original even existed. It’s easy to see how Speed (1994), the Keanu Reeves blockbuster, might have drawn inspiration from Bullet Train.

As a sequel, Bullet Train Explosion tries to tie itself to the original, although the connections feel a little forced. The villain’s motives seem contrived, and there are some major plot holes once you realize who’s behind it all. How did such a massive bomb setup slip past station security? How could the terrorist so easily plant explosives across multiple cars without being caught? These are the film’s biggest narrative gaps. That said, the non-stop tension and thrilling visuals almost make you forget the logical flaws.

Baca Juga  Herself

One of the biggest surprises is the realism of the production. How did they shoot this so authentically on an actual train? It turns out the filmmakers received full cooperation from JR East (Japan’s main railway company), allowing them to film inside real train cars and related facilities. The results are stunning — the whole movie feels incredibly genuine. The crew made the most of the opportunity, executing even the trickiest action scenes beautifully, despite the inevitable use of visual effects. One particularly jaw-dropping moment involves detaching the rear cars and linking up with another train — you have to see it to believe it. It’s a shame a movie like this isn’t getting a proper big-screen release.

Bullet Train Explosion is a rare gem of a Japanese disaster-action movie, with an authentic production value that’s second to none. Dynamic cinematography, tight editing, and immersive sound design come together to create a truly thrilling experience. Japanese filmmakers have long mastered large-scale productions, especially visible in their kaiju films like Godzilla Minus One. And with Shinji Higuchi at the helm, the quality is exactly what you’d expect. Today, Japan, along with South Korea (Train to Busan, Ashfall) and China (The Wandering Earth, The Captain), are producing massive action spectacles that easily rival Hollywood. Thirty years ago, who would have guessed that Asian cinema would be competing so fiercely with the West?

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PENILAIAN KAMI
Overall
80 %
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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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