night of the hunted

Five Nights at Freddy's (2023)
109 min|Horror, Mystery, Thriller|27 Oct 2023
5.5Rating: 5.5 / 10 from 92,878 usersMetascore: N/A
A troubled security guard begins working at Freddy Fazbear's Pizza. During his first night on the job, he realizes that the night shift won't be so easy to get through. Pretty soon he will unveil what actually happened at Freddy's.

“Night of the Hunted” is an independent thriller directed by Franck Khalfoun, exploring the theme of gun violence. The film features Camille Rowe, Jeremy Scippio, Stasa Stanic, and Monaia Abdelrahim and is a remake of “La Roche del Raton” directed by David R. Losada. Released on October 20, 2023, by the specialist horror platform Shudder, this film raises the question: Does “Night of the Hunted” bring anything new to its subgenre with its minimal casting and confined setting?

After midnight, Alice (Rowe), accompanied by her office colleague and lover, returns to their hometown after a convention. While stopping at a quiet suburb’s gas station, Alice witnesses blood spatter at the cashier as she buys a cup of coffee from the mini-market. Just before leaving, she is shot in the arm by a mysterious assailant, while her colleague, who had just entered, is fatally shot. Alice struggles to survive and seeks help with determination.

The premise is simple yet intense, and the script effectively conveys tension. The filmmaker skillfully utilizes the limited space around the gas station and mini-market, as well as the shooter’s vantage point on a billboard opposite the building. Tense actions unfold in the mini-market spaces and narrow corners. The plot delves into typical elements, such as the protagonist’s internal problems and infidelity, presented with depth. It becomes apparent that Alice shares the same issues as the shooter—disappointment and anger—manifested in her treatment of those close to her. Unfortunately, the climax and ending fall short of providing a profound resolution for the protagonist.

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While “Night of the Hunted” presents an exciting premise with a solid thriller side, the ending obscures the message being built. The protagonist’s mistake is evident, and typically, the plot conflict serves as a valuable life lesson. However, the ending leaves questions about the story’s direction. What is the intended meaning of the events? Does it lead to something personal (redemption or self-awareness) or something larger concerning gun violence? There is little offered for the subgenre of thrillers in confined spaces.

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PENILAIAN KAMI
Overall
70 %
Artikel SebelumnyaIt Lives Inside
Artikel BerikutnyaFive Nigths at Freddy’s
His hobby has been watching films since childhood, and he studied film theory and history autodidactically after graduating from architectural studies. He started writing articles and reviewing films in 2006. Due to his experience, the author was drawn to become a teaching staff at the private Television and Film Academy in Yogyakarta, where he taught Film History, Introduction to Film Art, and Film Theory from 2003 to 2019. His debut film book, "Understanding Film," was published in 2008, which divides film art into narrative and cinematic elements. The second edition of the book, "Understanding Film," was published in 2018. This book has become a favorite reference for film and communication academics throughout Indonesia. He was also involved in writing the Montase Film Bulletin Compilation Book Vol. 1-3 and "30 Best Selling Indonesian Films 2012-2018." Additionally, he authored the "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). Until now, he continues to write reviews of the latest films at montasefilm.com and is actively involved in all film productions at the Montase Film Community. His short films have received high appreciation at many festivals, both local and international. Recently, his writing was included in the shortlist (top 15) of Best Film Criticism at the 2022 Indonesian Film Festival. From 2022 until now, he has also been a practitioner-lecturer for the Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts in the Independent Practitioner Program.

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