What would happen if Dracula in Bram Stoker’s story were still alive today? Uniquely, the story’s focus is now on the figure of his assistant, Renfield, rather than the monster. “Renfield,” a comedy-horror film loosely adapted from the original novel and directed by Chris McKay, features renowned actors such as Nicholas Hoult, Nicholas Cage, and Awkwafina. The film, released by Universal Studios with a budget of USD 65 million, is now available on the Prime Video and Apple TV platforms.

Having escaped death at the hands of vampire hunters decades ago, Dracula (Cage) required a substantial amount of time to regain his strength. Alongside his loyal assistant, Renfield (Hoult), they relocate until finding a new lair in the basement of a former hospital in New Orleans. In tune with the modern era, Renfield’s awareness begins to grow. He even attends therapy sessions at a church to break free from his toxic relationship with his employer. In a pivotal moment, Renfield aids a young police officer named Rebecca (Awkwafina), whose actions attract the attention of crime lords in the city. Meanwhile, the now-recovered Dracula sets his sights on Renfield, who has defected from him.

The premise of “Renfield” is indeed exciting. The film incorporates a tribute scene to the classic Dracula movie (1931) in its montage, presenting the story as a continuation of the original. However, the script and comedic tone dilute the narrative. Cage, who is striking as Dracula and poses the most significant threat, loses some of his intensity. The story appears half-baked and lacks commitment in its execution. Today’s audiences are also familiar with the figure of Dracula—through the film or the novel? This is absurd. The film ends up being memorable for being unserious and playful, lacking a sense of threat and tension. The main course, which is the action, remains unvaried.

Baca Juga  Jurassic World

Despite its promising premise and star-studded cast, “Renfield” fails to sink its fangs into a mediocre comedy-action story. A budget of USD 65 million is a considerable sum for a film. Judging by its box-office performance, the results indicate a flop. It’s regrettable that the film squandered the talent of its stars and the potential of its premise. In August, Universal is set to release “The Last Voyage of the Demeter,” an adaptation of a chapter from the novel “Dracula.” Judging by the trailer, this film appears much more promising. Skip this one, and anticipate the upcoming release.


1
2
PENILAIAN KAMI
Overall
50 %
Artikel SebelumnyaThe Glory
Artikel BerikutnyaEvil Dead Rise
A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

BERIKAN TANGGAPANMU

Silahkan berikan tanggapan anda
Silahkan masukan nama anda disini

Situs ini menggunakan Akismet untuk mengurangi spam. Pelajari bagaimana data komentar Anda diproses.