“We have often seen the moral dilemma of sacrificing one life for the benefit of many others in films. However, the concept of buying human age is a unique matter that the film medium has only recently explored. “Paradise” is a German science fiction thriller film directed by Boris Kunz, Tomas Jonsgården, and Indre Juskute. This Netflix release stars Kostja Ullmann, Corinna Kirchhoff, Marlene Tanczik, Numan Acar, Irish Berben, and Lisa-Marie Koroll. Will the fresh premise and theme be properly explored?
In the future, AEON Corp. is developing technology capable of transferring ages so that it is possible for someone to get younger and vice versa as the donor gets older. Max (Ullman) is an AEON marketing agent who recently won the best employee award. Max and his wife, Elena (Tanczik), look forward to their bright future until disaster strikes. Their apartment catches fire, and the insurance doesn’t cover it, leaving them trapped in enormous debt. The bank demands Elena’s age as collateral. Elena, desperate to cover the debt, agrees to donate 40 years of her age. Max tries every way to find a solution for Elena, who is now as old as his grandmother.
Even though it is absurd and unclear how this technology is scientifically possible, the premise is fresh. The story does not delve into technical matters or even moral dilemmas but focuses on the thriller, suspenseful action, which is far from the concept and message. Unfortunately, the actual premise could be explored more deeply through the character development of the two protagonists, Max and Elena. Can love and loyalty be measured purely physically? The plot doesn’t attempt to answer this but rather explores how they try to find quick ways and instant solutions so that Elena can return to normal. This approach feels ridiculous and dilutes the message of the story.
Despite its fresh and unique premise, “Paradise” puts aside its moral messages to emphasize its thriller side. With the potential of its premise, “Paradise” could lead to more philosophical questions about the existence or meaning of happiness and love. Some characters touch on these matters, such as Elena’s father. This denial makes the story feel pointless and undermines all the classy achievements in setting, casting, and extraordinary makeup. “Paradise” missed a big chance by choosing a sensitive topic and taking a safe path. Too bad.”
