False Positive is a thriller drama film directed by John Lee. This Hulu platform film stars Ilana Glazer, Justin Theroux, and veteran actor Pierce Brosnan. The anxiety of a pregnant mother with her first child several times is presented in films through various genres. False Positive is one of the unique ones recorded by playing with the realm of horror; it can even enter the sci-fi category.

Adrian (Theroux) and Lucy (Glazer) are not blessed with a child after several years of their marriage. Finally, they decided to visit the clinic of a well-known obstetrician, John Hindle (Brosnan), who is also Adrian’s former lecturer. After that, Lucy became pregnant. In development, Lucy encountered some irregularities in the doctor’s practice and suspicions about her husband. Or, is this all just delusions of the mother who is too worried about the fetus’s condition?

We often see this kind of formula in the horror genre where the protagonist’s sanity is questioned. Is the mother insane or delusional, or what she fears, feels, or sees is real? For example, horror films directed by Ari Aster, Hereditary and Midsommar, played brilliantly in this area, making it difficult for the audience to anticipate. False Positive, playing very well, packing the mystery side of the plot almost throughout the film. The audience is not difficult to guess the story’s direction because, throughout the plot, these two sides are highlighted equally well. The audience is taken into an endless curiosity which is finally “answered” in the ending. Is it?

Despite its quirky story and promising premise, False Positive has a cloudy ending and message. This film could lead to the depression of the mother during pregnancy, which is presented brilliantly. Still, the ending feels too dark and brutal for its message. Another one is entering the realm of sci-fi, talking about male superiority through the figure of Dr. Hindle. The ending is again too brutal for this. So did these two happen? If yes, then what is the point of making such a complicated story? In terms of aesthetics and story, this film does have more value. Still, if it is intended as a message (especially for a mother), this film is the same as the title point. Or is this what the filmmakers hoped for? The female audience (a mother) seems to understand the story better.

Baca Juga  The Vanishing

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PENILAIAN KAMI
Overall
60 %
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His hobby has been watching films since childhood, and he studied film theory and history autodidactically after graduating from architectural studies. He started writing articles and reviewing films in 2006. Due to his experience, the author was drawn to become a teaching staff at the private Television and Film Academy in Yogyakarta, where he taught Film History, Introduction to Film Art, and Film Theory from 2003 to 2019. His debut film book, "Understanding Film," was published in 2008, which divides film art into narrative and cinematic elements. The second edition of the book, "Understanding Film," was published in 2018. This book has become a favorite reference for film and communication academics throughout Indonesia. He was also involved in writing the Montase Film Bulletin Compilation Book Vol. 1-3 and "30 Best Selling Indonesian Films 2012-2018." Additionally, he authored the "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). Until now, he continues to write reviews of the latest films at montasefilm.com and is actively involved in all film productions at the Montase Film Community. His short films have received high appreciation at many festivals, both local and international. Recently, his writing was included in the shortlist (top 15) of Best Film Criticism at the 2022 Indonesian Film Festival. From 2022 until now, he has also been a practitioner-lecturer for the Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts in the Independent Practitioner Program.

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