Resort to Love is a romantic comedy film directed by Steven Tsuchida and produced by Alicia Keys. The film stars actress and singer Christina Milian, accompanied by Jay Pharoah and Sinqua Walls. The 101-minute film was produced and released by Netflix this week. It feels like, since Crazy Rich Asians (2018), there are no quality and entertaining romantic comedies, so what about this?

Erica (Milian), who failed in her engagement, also fell in her career as a singer. Erica also received a job offer as a singer at a luxury resort on a lovely island in Mauritania to treat her mental and economic situation. When Erica began to forget all her problems there, her past came back in front of her. Who would have thought her ex-fiancé, Jason, will now be married at the resort where she works.

Well, for fans of romantic comedies, Resort to Love seems to no longer offer anything new. The plot until the ending is not difficult to anticipate. The story process that is full of excitement is what makes romantic comedy films so popular. But there is no love drama here, but how to move on from it. Caleb, Jason’s older brother, adds a romance to the conflict on the sidelines of Erica’s old love story. There are some good humorous moments around the story’s first turning point, but that’s about it. The story, which was initially interesting and able to take advantage of the potential of the local setting, has grown to become cliché until the end. The location and its extraordinary natural charm only feel like a display. This event can happen anywhere.

Baca Juga  Night Teeth

Despite the star’s stunning local charm and engaging performances, Resort to Love is a cliché for its genre. One that stole the show was the star, Christina Milian. I’m still unfamiliar with this one star. He could have played very well throughout the film if not let down by the script’s development. If given the opportunity to play in a classy scenario, it seems she can still maximize her acting potential. For its gorgeous setting? Please, someone, add it to the list of locations for the next Bond film.

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A lifelong cinephile, he cultivated a deep interest in film from a young age. Following his architectural studies, he embarked on an independent exploration of film theory and history. His passion for cinema manifested in 2006 when he began writing articles and film reviews. This extensive experience subsequently led him to a teaching position at the esteemed Television and Film Academy in Yogyakarta. From 2003 to 2019, he enriched the minds of students by instructing them in Film History, Introduction to Film Art, and Film Theory. His scholarly pursuits extended beyond the classroom. In 2008, he published his seminal work, "Understanding Film," which delves into the core elements of film, both narrative and cinematic. The book's enduring value is evidenced by its second edition, released in 2018, which has become a cornerstone reference for film and communication academics across Indonesia. His contributions extend beyond his own authorship. He actively participated in the compilation of the Montase Film Bulletin Compilation Book Volumes 1-3 and "30 Best Selling Indonesian Films 2012-2018." Further solidifying his expertise, he authored both "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). His passion for film extends to the present day. He continues to provide insightful critiques of contemporary films on montasefilm.com, while actively participating in film production endeavors with the Montase Film Community. His own short films have garnered critical acclaim at numerous festivals, both domestically and internationally. Recognizing his exceptional talent, the 2022 Indonesian Film Festival shortlisted his writing for Best Film Criticism (Top 15). His dedication to the field continues, as he currently serves as a practitioner-lecturer for Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts' Independent Practitioner Program.

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