Episode #1.70 (2005)
N/A|Drama|N/A
Rating: Metascore: N/A
N/A

Before the release of Spider-Man: No Way Home (NWH), it became a sensation with various speculations and theories regarding its connection with the previous two Spider-Man franchises. Is this just a tactic to attract the audience, or is there substance to these claims? No Way Home is the third installment in Spider-Man’s Marvel Cinematic Universe (MCU) version, directed by John Watts and featuring regular stars Tom Holland, Zendaya, Marisa Tomei, Jacob Batalon, John Favreau, and guest star Benedict Cumberbatch as Doctor Strange.

Peter (Holland), whose superhero identity is now publicly known, is grappling with extraordinary physical and psychological disorders, impacting Aunt May, Ned, and his girlfriend, MJ. The strain leads to the instability of a magician’s spell, bringing alien figures from alternate universes into his world. Seeking help, Peter turns to Doctor Strange (Cumberbatch) to erase everyone’s memory of his Spider-Man identity, excluding his aunt, girlfriend, and best friend.

Anticipation for this film is high, and it promises a different storyline from the two previous Spider-Man series. The trailer suggests the inclusion of antagonists from the earlier series, raising questions about the involvement of the two previous Spider-Man figures. Regardless, the film is expected to deliver action, humor, and innovative storytelling, although it may not satisfy all MCU fans.

One puzzling aspect is why figures from other universes only seem to exist in the previous two Spider-Man series. While it’s intriguing, it appears that Marvel, Disney, and Columbia Studios are aiming for a grand crossover. Recent events, like Venom entering the MCU, suggest the potential for Spider-Man to be drawn into their universe. The financial stakes are immense, and Columbia is unlikely to let go of this lucrative character without substantial compensation.

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Another interesting perspective is the role of Doctor Strange in the story. The post-credits scene hints at the film serving as a precursor to the next Doctor Strange installment. Despite Peter’s immersion among “other” figures, his character, who has experienced significant events from Civil War to Endgame, still seems to act like a child, making the story somewhat predictable compared to the previous two films.

NWH is sure to entertain many superhero fans, but there might be slight differences in creative perspectives. It appears to be a compromise for the studio to pave the way for the future development of this series. While it represents a breakthrough by creatively incorporating elements from the two older series, it also forces the cinematic universe to reclaim the highest-grossing superhero figure, potentially signaling that it’s time for the MCU to let go of Spider-Man.

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PENILAIAN KAMI
Overall
60 %
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His hobby has been watching films since childhood, and he studied film theory and history autodidactically after graduating from architectural studies. He started writing articles and reviewing films in 2006. Due to his experience, the author was drawn to become a teaching staff at the private Television and Film Academy in Yogyakarta, where he taught Film History, Introduction to Film Art, and Film Theory from 2003 to 2019. His debut film book, "Understanding Film," was published in 2008, which divides film art into narrative and cinematic elements. The second edition of the book, "Understanding Film," was published in 2018. This book has become a favorite reference for film and communication academics throughout Indonesia. He was also involved in writing the Montase Film Bulletin Compilation Book Vol. 1-3 and "30 Best Selling Indonesian Films 2012-2018." Additionally, he authored the "Horror Film Book: From Caligari to Hereditary" (2023) and "Indonesian Horror Film: Rising from the Grave" (2023). Until now, he continues to write reviews of the latest films at montasefilm.com and is actively involved in all film productions at the Montase Film Community. His short films have received high appreciation at many festivals, both local and international. Recently, his writing was included in the shortlist (top 15) of Best Film Criticism at the 2022 Indonesian Film Festival. From 2022 until now, he has also been a practitioner-lecturer for the Film Criticism and Film Theory courses at the Yogyakarta Indonesian Institute of the Arts in the Independent Practitioner Program.

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